This translation of Lyotard's first book, La phenomenologie (first publication in 1954; the translation is from the 10th edition of 1986, Presses Universitaires de France) supplies an important link to Lyotard's more recent work.

The major statements of the leading figures in the nineteenth- and twentieth-century German and French hermeneutic traditions.

Attempts to show that traditional definitions of "science" and "technology" fail to capture the complex discursive construction of scientific knowledge. Argues (accompanied by many literary and philosphical examples) that science, technology, and the humanities developed in concert with each other, and that their reciprocal relationship transcends traditional disciplinary boundaries. Cloth edition (unseen), $35. Annotation copyrighted by Book News, Inc., Portland, OR.

The strategy of deconstruction displayed in the writing of Jacques Derrida forces a self-reflexive moment, in the encounter with the text, that disqualifies and obliterates the protocols of reading. "Binding Textuality" broaches and embraces the question of reading through an enactment of specific Derridean textual motifs. ;A central aim of the text is to expose Jacques Derrida through a reading of the relations his writing exhibits with respect to particular texts and textual themes promulgated in the history of Western philosophy. (...) To achieve this aim, a certain economy is established and maintained to force an opening in the style Jacques Derrida models. "Binding Textuality" proceeds in three Parts entitled "The Question of Reading: An Introduction," "Semeiotic, Language, Tradition," and "The Play of Ellipsis: Annular Translation." These parts proffer a rendering of the Derridean text, respectively, through: a series of questions that affords a pre-opening to that script; a staging of the horizontal boundaries or the tradition which prefigures that script; and an interpretive unraveling and restitching of Derrida's text to indicate the play at work in reading such a contemporary style of writing. ;The strategy of "Binding Textuality" is obliged to deploy or to undergo, and as such to demonstrate and to capitalize on, the contortions and tropes of Derrida's maneuvers and strategies as a style that plays with dissimulation, deceit, and artifice. Derrida's text is shown to afford a certain style of inquiry, a style of philosophy, or philosophic cunning. Affirming the invitation and encouragement of Derrida's text to risk the uncertainty of inquiry, the insight of "Binding Textuality" comes to just this: the writing of Jacques Derrida fosters a genuinely novel and unselfish rendering of paideia. Now, Jacques Derrida is read or seen as a bricoleur attempting to realize the necessity of self-criticism and the need for the recombination of ideas and possibilities that unfold through self-critique. (shrink)

Bringing together philosophy, literary criticism and textual theory, social and political theory, and the philosophy of language and cognitive science, this collection intends to establish an interpretive framework for exploring the ubiquity nd mediacy of technology.

Redefining, redrawing, and resetting the respective domains of philosophy, medicine, and health care, this book provides a conceptual point of departure from which the radical changes that will be required of health care in the next century can be envisioned and acted upon. It provides critical analyses of the conceptual apparatus that informs the many dimensions of health care practices, challenging the fundamental relationships of authority that exist between patients and health care practitioners, questioning the tradition of using classical ethical (...) theories within the domain of health care, and suggesting a set of different directions in which health care should develop. (shrink)

The focus of this essay is to display and to work within the congruent levels of discourse at play in Nietzsche's text, with particular reference to the trope ''woman." Derrida's treatment of Nietzsche produced in Eperons: Les Styles de Nietzsche provides the medium, the universe of discourse if you will, for reading Nietzsche's deployment of "woman" in his writings. Derrida is a prop that sets up the discourse in the following fashion: Nietzsche's metaphor of the vita femina is comprehended in (...) light of and integrated with Derrida's conception o/la femme-verite . The desire of this reading is to question the following: the ideal or idol of feminism and antifeminism, i.e., the image, the figure of woman as such, woman engenderedthrough the idiom of what should be the case or the condition of woman as a human being; and the presumptuous attitude of the feminist and/or anti-feminist, scholar or priest, that a particular discourse, her/his discourse, is of any interest or pertinence to women or woman. (shrink)

The focus of this essay is to display and to work within the congruent levels of discourse at play in Nietzsche's text, with particular reference to the trope ''woman." Derrida's treatment of Nietzsche produced in Eperons: Les Styles de Nietzsche provides the medium, the universe of discourse if you will, for reading Nietzsche's deployment of "woman" in his writings. Derrida is a prop that sets up the discourse in the following fashion: Nietzsche's metaphor of the vita femina is comprehended in (...) light of and integrated with Derrida's conception o/la femme-verite. The desire of this reading is to question the following: the ideal or idol of feminism and antifeminism, i.e., the image, the figure of woman as such, woman engenderedthrough the idiom of what should be the case or the condition of woman as a human being; and the presumptuous attitude of the feminist and/or anti-feminist, scholar or priest, that a particular discourse, her/his discourse, is of any interest or pertinence to women or woman. (shrink)

The essays presented here offer contemporary analyses of interpretation by prominent figures in philosophy and literary criticism, including Foucault, Kristeva, and Derrida.